The full bloused front and the bishop sleeves can be shirred or smocked.  The blouse is hung on a form fitting, boned lining which closes at the center front.  The blouse itself closes at the left front.

The original fabric was a black satin weave cotton and was trimmed with a rough cream lace into which narrow purple ribbon was drawn.

The original fabric is a heavy silk candlelight satin.  Can be worn with #PP208 skirt.

The bodice fastens by lacing in the front which is drawn through eyelets.  The bodices is boned and form fitting.  The sleeves are 7/8 length, the neck and sleeves are trimmed with Brussels lace.  The bustle is created with metal stays in three rows from below the center back waist to the knees.  The cathedral train is separate and is trimmed on the inside outer edge with a row of dust ruffles.

The original fabric was a cream acetate satin.  The lace at the yoke, collar, cuffs and cathedral train is a deeper cream.  The closure is secured with four snaps at the left side.

This bright, white silk organza wedding gown is worn with a white bias cut rayon slip.  The center front of the dress is cut on the bias.  This garment is easy and fast to sew.  Pattern includes dress and slip.

This ubiquitous shirt waist can be made with a standing collar or a shirt collar.  The cuffs can be straight or turned back.  The front closure can be made with a pleat at the front or a fly front.  The shoulders are quite square.  An inverted box pleat adds interest to the back view.

Easy to make with the popular "Gibson Tucks"  A copy of the embroidery transfer is included.

For a French waist effect, create the blouse of English cotton netting and lavish with artistic combinations of lace.

One of the handsomest of any seasons' smart models is this blouse, especially select for the women who wear tailored clothing.